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Recently given the chance to interview Simon Kinberg over the phone, I took the opportunity to ask him to clarify his trilogy statements, and he ensured me that X-Men: Apocalypse will not be "the end for any of these characters by any stretch." Rather than having the franchise moving beyond these core mutants, instead the idea is that an emotional arc has been playing out since X-Men: First Class and that X-Men: Apocalypse will be working to find a satisfactory conclusion to it. This has been the plan for years and was part of the development of First Class. Said Kinberg, "We would want future movies with the main X-Men characters, but emotionally there are some stories you want to tell in three acts. Some stories you want to tell in five acts. When we started X-Men First Class, there was this notion that we were creating arcs emotionally for the characters that we would culminate in a third film."
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While Nicholas Hoult’s Beast will surely be a very important part of the story, Kinberg specifically pointed to the very complicated relationship that exists between Jennifer Lawrence’s Mystique, James McAvoy’s Xavier, and Michael Fassbender’s Magneto. As you may remember, the former two grew up together almost like brother and sister, and the latter lured her away with differing social philosophy regarding the mutant vs. human problem. It’s not so much about romance, as much as it is about loyalty. "Those emotional stories we’ll want to complete, we’ll want to culminate in Apocalypse," Kinberg told me. "And then create new stories for those characters."
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It’s interesting to note at this stage that we have no idea where things will end up with these four characters. Because of the way the continuity slate was wiped clean at the end of X-Men: Days of Future Past, the future is no longer set and literally anything can happen. Hell, perhaps this timeline will have Mystique deciding to go a more peaceful route and returning to Xavier, while Beast finds the rage within him and points it towards humanity by signing on to be a part of the Brotherhood. There are no more franchise guidelines to stick to, and anything can happen.
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Thankfully, audiences responded to Gone Girl in kind, powering Fincher’s ice-cold thriller to a red-hot box office win. I hope you enjoyed NPH’s explanation of this fascinating scene.
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वो जो हँसते हुए दिखते है न लोग
अक्सर वो कुछ तन्हा से होते है
पराये अहसासों को लफ़्ज देतें है
खुद के दर्द पर खामोश रहते है
जो पोछतें दूसरे के आँसू अक्सर
खुद अँधेरे में तकिये को भिगोते है
वो जो हँसते हुए दिखते है लोग
अक्सर वो कुछ तन्हा से होते है
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